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After the War, They Turned the Cameras on Themselves, in “Allies in Exile”

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Summary

Displaced by war, two Syrian filmmakers, Hasan Kattan and Fadi al-Halabi, document their wait for asylum in the U.K., forging a friendship through storytelling amid rising anti-immigrant protests.

Description from The New Yorker.

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  1. The New Yorker Left Factuality: High US
    After the War, They Turned the Cameras on Themselves, in “Allies in Exile”

    Displaced by war, two Syrian filmmakers, Hasan Kattan and Fadi al-Halabi, document their wait for asylum in the U.K., forging a friendship through storytelling amid rising anti-immigrant protests.

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The New Yorker After The War They Turned The Cameras on Themselves in “Allies in Exile” | The New Yorker

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