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The Insistent Monumentality of “La Bola Negra”

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Image from The New Yorker

Summary

In Javier Ambrossi and Javier Calvo’s historical triptych, dramas of gay repression and liberation dovetail in ways more reductive than illuminating. Covered by 3 outlets: 2 lean left, 1 are centre.

Automated summary picked from the outlets' own descriptions.

Who is covering this

  1. Deadline Center Factuality: High US
    ‘La Bola Negra’ Caliente At Box Office With $43M Worldwide, Becomes Spain’s Top-Grossing Local Pic Of 2026

    Heading into awards season, it’s always nice for any feature contender to have some juice at the box office, and Spain’s official Oscar entry has exactly that as La Bola Negra has easily become the country’s highest grossing local film year-to-date with $41 million per...

  2. Variety Leans left Factuality: High US
    ‘La Bola Negra’ Becomes Spain’s Third Biggest Spanish Hit Ever as Its Box Office Surges 8% Above Pre-Pandemic Average

    Javier Calvo and Javier Ambrossi’s “La Bola Negra” has become the third highest-grossing Spanish film of all time at Spain’s domestic box office, earning an estimated €36.7 million ($41.0 million) through Nov. 1, according to Rentrak figures. Only Emilio Martínez-Lázaro’s...

  3. The New Yorker Left Factuality: High US
    The Insistent Monumentality of “La Bola Negra”

    In Javier Ambrossi and Javier Calvo’s historical triptych, dramas of gay repression and liberation dovetail in ways more reductive than illuminating.

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