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Results for “Yorker Mini Interview”

1 source

Who is covering this

The New YorkerLeft
1
Left 100%
The New YorkerLeft

The Mini Interview with Benito Skinner

What conspiracy theory does Benito Skinner actually believe? We caught up with the comedian and “Overcompensating” creator backstage at the 2026 #NewYorkerFest for the New Yorker Mini Interview.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Culture
1 source

Who is covering this

The New YorkerLeft
4
Left 100%
The New YorkerLeft

The Mini Interview with Atsuko Okatsuka

Atsuko Okatsuka does the Mini Interview backstage at the 2026 New Yorker Festival.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
+ 3 · Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion4/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

1 source

Who is covering this

The New YorkerLeft
1
Left 100%
The New YorkerLeft

The Mini Interview with Chris Fleming

The “Widow’s Bay” comedian and actor Chris Fleming, Jr., shared his strong opinions on people who start podcasts, at the 2026 #NewYorkerFest.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Politics
2 sources
1
Left 50%Right 50%
The New YorkerLeft

The Mini Interview with Aaron Sorkin

At the 2026 #NewYorkerFest, Aaron Sorkin shared advice for aspiring screenwriters and why he remains optimistic in today’s political climate.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate50%
Private50%
Countries
United States100%
Media ownership
Condé Nast50%
Breitbart News Network50%
Avg reliability64
Low-credibility share0%
Fact / opinion2/0
State media0%
More analysis
Trending: Low Sources: 2 Reliability: 64 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

1 source

Who is covering this

The New YorkerLeft
1
Left 100%
The New YorkerLeft

The Humans Are Coming for A.I.’s Jobs in “We Were Here”

In India, a group of uncles plans to subvert the A.I. that is replacing them, in a mockumentary that celebrates the weirdness of regular intelligence.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

1 source

Who is covering this

The New YorkerLeft
1
Left 100%
The New YorkerLeft

Love, Sex, and Existential Dread for a Gay Vampire in “Time to Go”

Renzo Cozza’s short film gives a classic monster a moral dilemma.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

2 sources
1
Left 100%
The New YorkerLeft

Richard Brody’s Favorite Horror Movies

The film critic Richard Brody shares three scary good horror movies.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast50%
Gannett50%
Avg reliability80
Low-credibility share0%
Fact / opinion2/0
State media0%
More analysis
Trending: Low Sources: 2 Reliability: 80 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

A Song of Grief and Union in “Lincoln in the Bardo”

Missy Mazzoli’s operatic adaptation of George Saunders’s novel is a charismatic, openhearted work.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Creative Technology

Gizmos and gadgets to enable artistry.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

James Talarico’s Final Sprint

The Texas Democrat has stretched his closing message to encompass Beyoncé, the Biblical David, and “Friday Night Lights.” Is that what it takes to flip the state?

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

A Long View of the French Protests

A visual tour of the Place de la République, a site of protests and political conflict in Paris for the past hundred and fifty years.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
1
Left 100%
The New YorkerLeft

Hannah Einbinder's Starter Pack of Cultural Essentials

Backstage at the 2026 #NewYorkerFestival, Hannah Einbinder, who stars in “Hacks” and “Teenage Sex and Death at Camp Miasma,” shared a TV show, book, movie, and song that have impacted her.

Lean: Left VideoFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: -100Sensationalism: 0 Amplification: 0

How we score

Politics
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

A Global Anti-Right Backlash

After Brazil’s election, and ahead of the U.S. midterms, progressives and liberals around the world find cause to celebrate.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 100Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

The Best Books of 2026 So Far

Our editors and critics review notable new fiction, nonfiction, and poetry.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

The Best Mystery Novels of the Twenty-first Century

Most of the best mysteries deal with the imperfect fit between the law and justice.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

The Middle-Aged Misanthropes of the Wisconsin Trilogy

Nate Lippens’s autobiographical series has earned a word-of-mouth following for its coruscating prose and frank view of Midwestern gay life.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

“Queen at Sea” Confronts Old Age with Bitter Empathy

Lance Hammer’s new drama, starring Anna Calder-Marshall, Tom Courtenay, and Juliette Binoche, sharply observes the private agonies and public quandaries of dementia.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Texas Democrats Venture Into “No Man’s Land”

Democrats around the country dream of a blue wave in Texas. Organizers and voters say they need more of an irrigation system. Can the Party leaders build it?

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

The Unclassifiable Talent of Hervé Guibert

The French writer and photographer’s portraits of love.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Politics
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Can Democrats Win Back Labor?

Two years ago, Sherrod Brown, who built his career as an avatar of blue-collar frustration, lost his Senate seat in Ohio as working-class voters defected to Trump. Now he and his party are looking to make up lost ground.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 100Sensationalism: 6 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Political Pixies, Goblins, and Imps

But don’t feed the trolls!

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Shaken and Stirred by the Search for the Next James Bond

The question may be less who will inherit the mantle than who in his right mind would want to.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

An Anxious Season for Muslims in Texas

Facing severe political attacks and threats, Muslim civil-liberties activists in Texas are urging their communities to vote.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: -100Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

The Victoria & Albert Museum Expands, Twice

Two new outposts of the London institution make a vibrant case for handmade craft in an age of A.I. slop.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Briefly Noted Book Reviews

“Ausländer,” “Frivolity: A Defense,” “May We Feed the King,” and “Sophie, Standing There.”

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Did Substack Fix the Internet?

A new book by Hamish McKenzie, the platform’s co-founder, argues that writers today are more empowered than ever. But online newsletters form their own kind of attention economy.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 6 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

The Gold Rush and the Making of Modern America

The best-selling author Nathaniel Philbrick sees links between eighteen-fifties California and the current A.I. boom. What can the history of the action-packed gold rush actually tell us?

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Why the Broadway Musical Refuses to Die

Broadway once thrived on the collision of musical traditions. Now, amid jukebox shows and Hollywood adaptations, can it recover its creative daring?

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: -100Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Barry Blitt’s “Polling Place”

An election strategy.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score

Entertainment
1 source

Who is covering this

The New YorkerLeft
Left 100%
The New YorkerLeft

Love, Sex, and Existential Dread for a Gay Vampire in “Time to Go”

Renzo Cozza’s short film gives a classic monster a moral dilemma.

Lean: Left Fact-focusedFactuality: HighCountry: United StatesFunding: CorporateOwner: Condé Nast
Full coverage
Coverage breakdown
Funding
Corporate100%
Countries
United States100%
Media ownership
Condé Nast100%
Avg reliability83
Low-credibility share0%
Fact / opinion1/0
State media0%
More analysis
Trending: Low Sources: 1 Reliability: 83 Bias severity: 0 Risk: 0Sentiment: 0Sensationalism: 0 Amplification: 0

How we score